Map Jacket is a jacket made from paper maps, with objects relating to walks and journeys stowed in its pockets. It is an ongoing artwork, with no final finished state in mind; it will continue to accrete and change for as long as I’m able to go out for walks. Conceptually, it will continue to change as well. I began the piece in Spring 2016. My initial idea was to make a wearable jacket out of Ordnance Survey maps, patterned on a corduroy jacket of mine, and perhaps use it in some kind of performance. It quickly became apparent that the jacket was much too fragile and inflexible to wear. I wore it once before I added the sleeves, but once the sleeves were on it became impossible to wear it without destroying it. The jacket took about three years to complete, because I abandoned it as hopeless for long periods of time. Gluing the sleeves on was particularly vexing, because paper does not stretch and form compound curves like fabric will.
Some time in 2019 I revived the piece and conceived of the idea of using it as a repository for objects found on walks. The jacket would stay at home, but conceptually travel with me. Since then, I have secreted objects in the jacket, adding a new pocket for each object, or group of objects. Some objects and natural materials are attached directly to the jacket. The objects function as mementos of particular walks or places, but most of them are artworks in their own rights, being altered from the form in which they were when found. Sometimes, things found at one place and time are combined with those found at other places and times (nothing is wasted), but each object has one principal association.
Finding things for Map Jacket is a gentle art, which I’m not sure I have come close to perfecting. It requires walking with the right sort of attentiveness. I usually bring back more things than I can use. Sometimes I make the object shortly after the walk; sometimes it takes weeks or months for an idea to form itself of what to do with the assortment of things I’ve collected. Many of the objects I make involve words – they often have words written or inscribed on them – and collecting words is also a part of my walking practice. I carry a notebook and more often write than draw (though I do both). Both practices (collecting objects and words) are about treasuring and memory.
Most of the walks commemorated in Map Jacket took place on the North York Moors, Yorkshire coast, Cheviot Hills and a small number of other places. These are the places that have been accessible to me, particularly in the years of the pandemic. They are places that I go to find solitude and often have associations with landmarks of one sort or another (churches, stone crosses, standing stones, tumuli, crossroads etc.) They are also often places where death is close to the surface, where bones lie to be picked up. The walks themselves are a kind of melancholy ritual, because they are fragments pointing to an elusive wholeness snatched from a life embedded in routines which, while not devoid of their own meaning or rewards, are nevertheless characterised by frenetic striving. I have the feeling that Map Jacket is a work that is only in its infancy and that its strength will lie in engendering inner dialogues.
This page documents the progress of Map Jacket and all of the objects in it. I’ll keep it up to date with new objects. Scroll down for images and descriptions of all the objects in Map Jacket.
Objects in Map Jacket
Main buttons, top to bottom:
- Made from a plastic buoy found at the coast
- Lead button from a baptismal gown
- Made from a broken vehicle number plate found on Rudland Rigg 17 June 2021
Bearing roller and glass bead
Bearing roller from my car, which I picked up beside the A66 near Appleby-in-Westmorland when the back bearing collapsed on the way back from Scotland, September 2018. The RAC man took the wheel off and several slightly flattened rollers dropped out. I picked up three but lost the other two. Afterwards, I was often paranoid that it would happen again and to this day listen out for the odd sound of a collapsed bearing whenever I drive. The roller is sealed into a small map paper pouch with a small glass replica Anglo Saxon bead near the left collar of Map Jacket. The bead symbolises hope. The pouch has the word ‘ruin’ on it in two places.
Fat Betty Cross
Cross-shaped candle, modelled after the medieval moorland cross known as Fat Betty Cross, North York Moors, made from two wax tea lights found at the nearby Young Ralph Cross. Wax has earth from Howl Moor and white pigment incorporated. Contained in a small drawstring bag made from a baseball hat found beside the Lyke Wake Walk path on Wheeldale Moor.
Candles and hat found on a walk from Goathland to Rosedale Head and back, 2nd July 2019. Earth collected on Howl Moor, near Goathland on 5th July 2019.
Young Ralph Cross
Cross cut from a piece of thick rusty steel found on the road near Goathland during a circular walk which took in Lilla Howe and Goathland, 1st July 2019. Modelled after Young Ralph Cross. The shiny metal edges have dulled since it was made.
Ana Cross Jaw
Lower mandible from a sheep with the shape of Ana Cross, North York Moors, cut out of it. Mandible was found close to Ana Cross during a walk on Spaunton Moor, 5th July 2019.
Book of Spurn
Book made from materials gathered on a trip to Spurn Point, 17th August 2019. Materials are: aluminium (from a wrecked aeroplane?); painted plywood from a hoarding which was painted with waves and sea creatures; rubber from a seaman’s glove; plastic; seaweed attached to a stone. Bound with copper wire found elsewhere.
55°31’56.0″N 2°12’26.0″W and 55°35’09.7″N 1°39’44.3″W
Boat made from fragment of a blue plastic sheep feed bucket found on top of the Cheviot Hills during a figure-of-eight shaped walk starting at Town Yetholm and following sections of the Pennine Way and St Cuthbert’s Way, early September 2019. (It was found on the St. Cuthbert path close to where those two paths cross). The boat is attached to a sea-worn piece of plastic found on the beach at Seahouses, early September 2019. I was reading the Kalavala during the holiday during which both objects were found and also visited Ian Hamilton Finlay’s Little Sparta garden, so boats were on my mind. You can see the sea from a point close to where I found the blue plastic and it is also very close to the England/Scotland border. The St. Cuthbert Way ends at the sea and also unites the two countries. Both objects were found in England.
Piece of scuffed plastic vehicle trim picked up on a linear walk along Westside Road, Rudland Rigg, 16th November 2019. I inscribed a short section of the trim with a map of the route, including contour lines and tumuli. The long piece of trim reminded me of the linear nature of the walk. I did the walk on a misty day and walking through the group of large round barrows was eerie and stayed in my mind. The tumuli are represented by small drill holes. I made the piece on the 8th April 2020.
Tees Mouth Cage
Plastic cage (possibly intended for suspending solid disinfectant inside the rim of a toilet bowl) containing a short length of barbed wire. Both objects picked up during a walk on the north bank of the Tees estuary, 16th January 2020.
Barbed wire barb found next to a freshly cut thorn hedge on Station Road, Ravenscar, during a walk along the Cinder Track from Scarborough to Robin Hood’s Bay, 7th March 2020. Contained in a series of nested pouches. The inner pouch is made from cigarette papers found left as an offering on top of Fat Betty Cross, 5th July 2019. The middle pouch is made from a recycled cashmere wrist warmer found on the Cinder Track on the same day as the barbed wire and the outer pouch is made from a cover for an equestrian helmet, also found on the same day.
Pack of RAW brand cigarette papers with topographic and farm names from Kirkdale inked onto the individual papers. The cigarette papers were picked up at Fat Betty Cross, 2nd July 2019. The names relate to a walk in Kirkdale, 14th August 2020. The pack also has some tear-off gummed paper strips, which have words gathered on my walk written on in pencil. The coordinates are those of the spot on the dry section of the Hodge Beck where I sat writing in my notebook (I may actually have written the words on the gummed paper at that point, I can’t remember. I did definitely make a couple of small drawings on cigarette papers on the spot). I inked the names on the papers in September 2020.
Sheep bone picked up on Pockley Moor during my walk in Kirkdale 14th August 2020, with words inked on it from my notebook of the day’s walk. The bone has an inked line round it half way along its length, because I intended to cut it in half and take half back to the moors. I never did this.
Third object relating to my walk in Kirkdale 14th August 2020. It is a flat stone picked up from the dry river bed near St. Gregory’s Minster. It has the name Orm engraved on it. Orm is the Anglo-Scandinavian landowner who restored St. Gregory’s Minster in the 11th century and who is commemorated in the rare Anglo-Saxon inscription above the door of the church. Orm son of Gamel is known from other historical sources and is connected to the feud discussed in Richard Fletcher’s book Bloodfeud. (Richard Fletcher lived in Kirkdale at some point in his life).
Bone for Azazel
Rabbit bone and a piece of dried melancholy thistle found on a walk on 22nd September 2020 around the top of Farndale (from Blakey Ridge carpark to the junction of the track up Rudland Rigg, along the top). They are tied together with red embroidery thread and live in a small metal tin. Piece was made in May 2021. Azazel is a demon associated with desert places in Jewish mythology. The ‘scapegoat’ mentioned in the Bible (Leviticus 16) is actually the ‘goat for Azazel’ – not an offering to appease Azazel, but a symbolic taking of the sin of the people to Azazel in the wilderness/underworld, where it belongs. The piece probably belongs back out in the wilderness, but, for now, it is in Map Jacket. It perhaps represents the melancholy holding onto of the memory of sin, rather than sin itself.
Two ends of sheep rib cut off and joined together. The ribs were found on a walk along College Valley in the Cheviots some time between 5th and 8th September 2020. The piece was made May 2021. Piece lives in the same tin as Bone for Azazel.
Cinder Track Tool and Cinder Track Object
Cinder Track Tool is three hawthorn thorns mounted in the end of a cut-off sheep’s rib, with three dried harebell flowers inserted in a hollowed out cavity in the rib. The thorns and harebells were found on a circular walk from Robin Hood’s Bay to Whitby along the Cleveland Way and then back along the Cinder Track, 8th October, 2020. The rib came from the College Valley (it’s the same rib as used in Joined Ribs). The Cinder Track is not all that far from the famous Mesolithic site of Starr Carr and Cinder Track Tool reminds me of an archaeological find of unknown purpose.
Cinder Track Object is made from four dried hawthorn berries collected on the same walk as Cinder Track Tool, set into holes in a piece of sheep’s rib found in College Valley. Both pieces were made May 2021.
Piece of ironstone with the word ‘hallelujah’ painted on it in white oil paint. I picked the stone near the Cammon Stone on Rudland Rigg. The Cammon Stone is a prehistoric standing stone and it has the word ‘hallelujah’ carved into it in Hebrew characters, reputedly by the nineteenth century clergyman Rev. W. Strickland, vicar of Ingleby. The walk was from Blakey Ridge along the top of Farndale, across to Urra Moor and then back down Rudland Rigg and finally across Farndale back to Blakey Ridge, 17th June 2021. I made the piece a few days afterwards. The stone is heavy for its size.